history medusa versace rondanini bust | vincent bardou the medusa history medusa versace rondanini bust Unlike the Artmajeur artist's work, however, Versace's Medusa is visibly Hellenistic-inspired, as it is known to represent a remake of the Medusa Rondanini, a marble statue depicting the head of the Gorgon, now housed in the Glyptoteca in Munich, Germany.
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1 · the medusa statue
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6 · ancient medusa images
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Unlike the Artmajeur artist's work, however, Versace's Medusa is visibly Hellenistic-inspired, as it is known to represent a remake of the Medusa Rondanini, a marble .
The famed Medusa Rondanini, one of the most mysterious and intriguing works of classical antiquity (fig. 20), is generally considered to reflect the first beautiful Gorgoneion in Greek art. Typologically the Medusa Rondanini belongs with gorgoneia of the late fourth century and the early Hellenistic period. Although previous scholars have accepted a fifth .
A new suggestion will be made that the Medusa Rondanini was perhaps a copy of the gorgoneion on the gilded bronze aegis dedicated by Antiochus IV and hung as an apotropaic device on .
The over-lifesize Medusa Rondanini, the best late Hellenistic or Augustan Roman marble copy of the head of Medusa, is rendered more humanized and beautiful than the always grotesque . Unlike the Artmajeur artist's work, however, Versace's Medusa is visibly Hellenistic-inspired, as it is known to represent a remake of the Medusa Rondanini, a marble statue depicting the head of the Gorgon, now housed in the Glyptoteca in Munich, Germany.The famed Medusa Rondanini, one of the most mysterious and intriguing works of classical antiquity (fig. 20), is generally considered to reflect the first beautiful Gorgoneion in Greek art. Typologically the Medusa Rondanini belongs with gorgoneia of the late fourth century and the early Hellenistic period. Although previous scholars have accepted a fifth century date, there has been little agreement as to the function of the gorgoneion.
A new suggestion will be made that the Medusa Rondanini was perhaps a copy of the gorgoneion on the gilded bronze aegis dedicated by Antiochus IV and hung as an apotropaic device on the south wall of the Akropolis in Athens. Furtwängler dated the Medusa Rondanini to .The over-lifesize Medusa Rondanini, the best late Hellenistic or Augustan Roman marble copy of the head of Medusa, is rendered more humanized and beautiful than the always grotesque apotropaic head of Medusa that appeared as the Gorgoneion on the aegis of Athena.
Ever since it was first brought to the attention of the scholarly world this fine marble statue has been recognized as a high-quality copy of an important Greek original.4 That its model was both.
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The antique Medusa Rondanini was housed in the Palazzo Rondanini in the late eighteenth century. Discovered in 1786 by Johann Wolfgang von Goethe, he wrote that 'the mere knowledge that such a work could be created and still exists in .Canova’s invention, in turn, met with some success, as evidenced by an embossed and cast copper version, recently restored, in the collections of the Museo di Bassano del Grappa.8 Later, the iconic power of the Medusa Rondanini, as is well known, inspired the logo of .The Medusa Rondanini and a closely related body of derivative material provide one of the few easily documented cases for such rapid diffusion. Though we cannot expect to understand completely the mechanics of the process, the isolation and examination of its visible proofs provide some valuable controls for a much wider group of objects.
THE MEDUSA RONDANINI; Adolf Furtwängler; Edited and translated by Eugenie Strong; Book: Masterpieces of Greek Sculpture; Online publication: 05 November 2015; Chapter DOI: https://doi.org/10.1017/CBO9780511687044.023 Unlike the Artmajeur artist's work, however, Versace's Medusa is visibly Hellenistic-inspired, as it is known to represent a remake of the Medusa Rondanini, a marble statue depicting the head of the Gorgon, now housed in the Glyptoteca in Munich, Germany.The famed Medusa Rondanini, one of the most mysterious and intriguing works of classical antiquity (fig. 20), is generally considered to reflect the first beautiful Gorgoneion in Greek art.
Typologically the Medusa Rondanini belongs with gorgoneia of the late fourth century and the early Hellenistic period. Although previous scholars have accepted a fifth century date, there has been little agreement as to the function of the gorgoneion.A new suggestion will be made that the Medusa Rondanini was perhaps a copy of the gorgoneion on the gilded bronze aegis dedicated by Antiochus IV and hung as an apotropaic device on the south wall of the Akropolis in Athens. Furtwängler dated the Medusa Rondanini to .
The over-lifesize Medusa Rondanini, the best late Hellenistic or Augustan Roman marble copy of the head of Medusa, is rendered more humanized and beautiful than the always grotesque apotropaic head of Medusa that appeared as the Gorgoneion on the aegis of Athena.
Ever since it was first brought to the attention of the scholarly world this fine marble statue has been recognized as a high-quality copy of an important Greek original.4 That its model was both. The antique Medusa Rondanini was housed in the Palazzo Rondanini in the late eighteenth century. Discovered in 1786 by Johann Wolfgang von Goethe, he wrote that 'the mere knowledge that such a work could be created and still exists in .Canova’s invention, in turn, met with some success, as evidenced by an embossed and cast copper version, recently restored, in the collections of the Museo di Bassano del Grappa.8 Later, the iconic power of the Medusa Rondanini, as is well known, inspired the logo of .
The Medusa Rondanini and a closely related body of derivative material provide one of the few easily documented cases for such rapid diffusion. Though we cannot expect to understand completely the mechanics of the process, the isolation and examination of its visible proofs provide some valuable controls for a much wider group of objects.
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